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Alice Neel: People Come First Virtual Tour at The MET
April 15, 2021 @ 3:30 PM - 4:30 PM
The Pump House Regional Arts Center is hosting a private, live, virtual group tour of The MET exhibition, ALICE NEEL: PEOPLE COME FIRST. Led by a museum guide from The MET, this virtual tour is accompanied by a high resolution slideshow presentation of works from the collection. Availability is limited to 40 people so purchase your ticket on the Pump House website today.
- Thursday, April 15th, 2021 at 3:30pm on Zoom
- Cost: $15.00/person (Credits and refunds cannot be given for cancellation or non-attendance).
- 60-minute online tour with a maximum of 40 people; first come first serve.
Purchase Alice Neel Virtual Ticket Here
Alice Neel: People Come First | The MET
March 22-August 1, 2021
“Alice Neel: People Come First will be the first museum retrospective in New York of American artist Alice Neel (1900–1984) in twenty years. This ambitious survey will position Neel as one of the century’s most radical painters, a champion of social justice whose longstanding commitment to humanist principles inspired her life as well as her art, as demonstrated in the approximately one hundred paintings, drawings, and watercolors that will appear in The Met’s survey.
Images of activists demonstrating against fascism and racism will appear alongside paintings of impoverished victims of the Great Depression, as well as portraits of Neel’s neighbors in Spanish Harlem, leaders from a wide range of political organizations, queer artists and performers, and members of New York’s global diaspora. The exhibition will also highlight Neel’s erotic watercolors and pastels from the 1930s, her depictions of mothers, and her paintings of nude figures (some of them visibly pregnant), all of whose candor and irreverence are without precedent in the history of Western art.
Neel was a longtime resident of New York, and the city served as her most faithful subject. Indeed, the sum total of her work testifies to the drama of its streets, the quotidian beauty of its buildings, and, most importantly, the diversity, resilience, and passion of its residents. “For me, people come first,” Neel declared in 1950. ‘I have tried to assert the dignity and eternal importance of the human being.’”